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Place & Local Memory · First Cycle 2026

Shushi Beyond Reach

Memory, Loss and Belonging

Shushi Beyond Reach explores what happens to collective memory when physical access to a place is lost while the material environment that carries that memory is also transformed, endangered or destroyed

Lusine MkhitaryanDigital exhibition / web story
FIG. 00Photo: Shushi, with the “Shushi / SHUSHI” sign placed on the rock at the entrance to the
The public-history question
How do people remain connected to a place they can no longer physically return to?
Why this story matters

The story matters because the loss of physical access to a place does not erase the historical and cultural relationships built around it. In the case of Shushi, that rupture is compounded by the destruction, alteration and endangerment of material lafters through which Armenian historical continuity and collective memory have been carried. The destruction of cultural heritage also reaches beyond the community directly connected to it: each lost historical and cultural lafter diminishes the shared cultural record of humanity. By bringing together historical sources, documented heritage evidence and personal photographs, the project examines how connection to place can persist when both physical access and the material foundations of memory are disrupted.

Original interactive project

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CHAPTER 01

Shushi / Shusha and memory

Memory, Loss and Belonging

Note on terminology. This project uses the Armenian name Shushi. In Azerbaijani, the city is

called Shusha. I use Shushi because this story focuses on Armenian collective memory, cultural

heritage, and my own relationship to the city; the terminology reflects that perspective.

FIG. 01Photo: Shushi Real School. Lusine Mkhitaryan, July 2016
CHAPTER 02

The material environment of memory

This story is not an attempt to present the entire history of Shushi. It seeks to understand what

happens to collective memory formed around a place when physical connection with that place is

broken, while the material environment that carries that memory is destroyed or altered and its

historical identity is distorted.

FIG. 02Photo: Memorial plaque to Martiros Sarukhanyan (1873–1896), Shushi. Lusine Mkhitaryan,
CHAPTER 03

Schools, education and cultural life

One of the material witnesses to that world is the Shushi Real School, which opened in

1881 and operated until 1920. It was one of the key institutions in the city’s educational life.

Many of its students later continued their education at higher educational institutions in

Russia and Europe and became active in science, culture, professional fields, public life,

FIG. 03Photo: Memorial plaque commemorating 8 May 1992. Lusine Mkhitaryan, 2016
CHAPTER 04

The rupture of 1920

July 2016]

In March 1920, the massacre of Shushi’s Armenian population and the burning of the

Armenian part of the city destroyed not only residential neighbourhoods but also an

established urban and cultural environment. Historian Gayane Makhmourian’s study, based

FIG. 04Photo: Avan Shushi Plaza during an event dedicated to Armenian poetry. Lusine
CHAPTER 05

Changing cultural landscapes

that victory became associated with return, reconstruction, and cultural rebirth.

The Shushi Museum of History and Local Lore opened on 28 May 1992. In later years,

museums, cultural institutions, exhibitions, educational programmes, and public events in

the city became part of its revived cultural life. The Shushi City History Museum collected

FIG. 05Photo: Holy Saviour Ghazanchetsots Cathedral, Shushi, July 2016. Lusine Mkhitaryan
CHAPTER 06

Reconstruction and cultural work

Mkhitaryan, 2016]

Together, the two images connect the memory of victory with the cultural and public life

Shushi thus became a symbol not only of victory, but also of return and rebirth after an

FIG. 06St John the Baptist Church (Kanach Zham), Shushi, July 2016. Photo © Eduard Minasyan.
CHAPTER 07

The events of 2020

During the 2020 war, Azerbaijani forces took control of Shushi, and following the 9

November ceasefire agreement, the city remained under Azerbaijani control.

In Armenian collective memory, the loss of Shushi carried significance beyond the

loss of a single city. It disrupted a narrative that had developed over nearly three decades,

FIG. 07Photo: Urban landscape of Shushi, showing historic ruins and residential areas, Lusine
CHAPTER 08

Sites and surviving traces

Used with permission.]

The same organisation has also documented the complete destruction of the old Armenian

cemetery of Ghazanchetsots in Shushi. Monument Watch likewise documents processes

involving the destruction and alteration of the city’s Armenian cultural heritage and the

CHAPTER 09

Photographs and distance

My photographs from Shushi are a simple example. They were taken at a time when I could

enter the city, walk through its streets, visit its museums, see its historic buildings, and

experience its cultural life.

At the time, they were simply photographs taken during a visit. Today, their status has

CHAPTER 10

Memory beyond place

displacement, the natural transmission of cultural heritage within its spatial environment has

The story of Shushi shows that the loss of a place can simultaneously be a territorial,

material, and mnemonic rupture.

In 1920, an already established Armenian urban, cultural, and intellectual environment was

Research · Evidence · Attribution

Sources & Credits

Original project references, visual sources and creator credits are collected here in one place.

  1. Lusine Mkhitaryan. Digital exhibition / web story. Who Owns Memory? Digital Public Exhibition, First Cycle 2026.

  2. Styopa Petoyan, “New Facts about the First Books Printed in Shushi,” Banber Matenadarani, 2020

  3. Vahram Balayan, Shushi: Its Place and Role in the Armenian Civilizational System, 2017, and his study on school life and national education in Shushi

  4. H. Grigoryan and G. Harutyunyan, The Shushi Real School, 2001

  5. Gayane Makhmourian, “The Tragedy of the City of Shushi on March 23–26, 1920 in Armenian and Foreign Historiography,” Historical-Philological Journal, 2021

  6. Geghard Scientific-Analytical Foundation, “The Massacres of the Armenians of Shushi in 1920,” 2024

  7. Central Bank of Armenia, “15th Anniversary of Liberation of Shushi,” commemorative coin, 2007.

  8. Photographs, documents, illustrations, video and audio are attributed through the project text, captions and contributor documentation wherever that information was supplied. This exhibition page does not grant additional reuse permissions.

  9. Web presentation adapted for Who Owns Memory? (2026), with layout and language editing. The original contributors retain authorship of their research, interpretation and creative work.